• 4 Posts
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Joined 2 years ago
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Cake day: November 19th, 2023

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  • Musical tastes change over your lifetime too, so what was cool when you were a teenager might become cringe later on in life, and vice versa.

    And even later on, the things that became cringe might make a comeback and become cool again.

    As a broad category, 70s Disco is a great example of that. The Bee Gees, Donna Summer, ABBA, etc etc. were overplayed, but it was popular music because it was good.

    60s and 70s soul samples become the foundations for new rap and dance tracks.

    I love Judy Collins, Mary Hopkins, Harry Belafonte and other late 60s and 70s vocalists even though they were big before I was born.






  • Meme /c’s are among the highest traffic groups.

    If you’re just viewing All traffic on your home instance, you will see tons of memes by default.

    On Lemmy’s web interface, in your settings:

    Top right user-defined pull-down > Settings

    On the Settings tab, just past half way down, there’s a Type setting, which you can select Subscribed instead of All.

    At this point, I also like to change Sort By to New instead of Hot

    Press the Save button at the bottom of the Settings tab.

    Then when you go to your instance’s home page, your default view will be a stream from your subscribed groups.

    The bad news is you have to subscribe to enough /c’s to populate your feed sufficiently.

    On mobile Lemmy apps such as Voyager, there are similar settings.






  • Marie Howe, New York State’s Poet Laureate:

    Practicing By Marie Howe

    I want to write a love poem for the girls I kissed in seventh grade,
    a song for what we did on the floor in the basement

    of somebody’s parents’ house, a hymn for what we didn’t say but thought:
    That feels good or I like that, when we learned how to open each other’s mouths

    how to move our tongues to make somebody moan. We called it practicing, and
    one was the boy, and we paired off—maybe six or eight girls—and turned out

    the lights and kissed and kissed until we were stoned on kisses, and lifted our
    nightgowns or let the straps drop, and, Now you be the boy:

    concrete floor, sleeping bag or couch, playroom, game room, train room, laundry.
    Linda’s basement was like a boat with booths and portholes

    instead of windows. Gloria’s father had a bar downstairs with stools that spun,
    plush carpeting. We kissed each other’s throats.

    We sucked each other’s breasts, and we left marks, and never spoke of it upstairs
    outdoors, in daylight, not once. We did it, and it was

    practicing, and slept, sprawled so our legs still locked or crossed, a hand still lost
    in someone’s hair . . . and we grew up and hardly mentioned who

    the first kiss really was—a girl like us, still sticky with moisturizer we’d
    shared in the bathroom. I want to write a song

    for that thick silence in the dark, and the first pure thrill of unreluctant desire,
    just before we’d made ourselves stop.