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Joined 3 years ago
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Cake day: June 25th, 2023

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  • I saw it much later on. Originally dropped out after Eva 01 straightup graphically eats the one Angel; that was too much even for me. Later on I picked it up and finished it.

    In retrospect, it’s not my favorite. I was introduced to Gundam before Evangelion, and that ticked all the right boxes for what I enjoy in a Mecha show (less symbolism and weirdness, more grittiness and politics). But I still admire Evangelion for the qualities it has: Its characterization, its message(s), and for doing its unique thing - to say nothing of the raw value of the animation.

    Rebuild was decent. It went from a mild retread of Evangelion, to once again completely bonkers off the rails, to somehow wrapping around again to picking up similar positive themes Evangelion had.






  • Yes and no. I think I was overly optimistic that people would make use of the possibilities of social media. I have thoughts on why I was mistaken, but ultimately I failed to recognize that a lot of people like their views affirmed and will seek out circles which do so.

    At the same time, you’re 100% right: Companies saw an opportunity to drive engagement and reap huge profits with the teeeeensy little side effects of further siloizing viewpoints, distorting reality, and elevating the most extreme positions. It turbocharged everything awful and repeatedly turned sites into cancerous shitholes.


  • At one point I really, truly believed that the internet and social media would be a turning point in human interconnectivity and cultural understanding. The ability to just… talk to someone on the other side of the planet, at will? When we know that exposure to other beliefs and cultures is superb at punching holes in hatred and misunderstanding? Surely this would lead to great things!

    Yeah, that was a miss.

    Exposure to other is still a fantastic way to grow understanding. But the internet and social media were not a highway to it, and as the “wild west” era of the internet faded and we instead got corporate-governed, algorithm-driven siloization of views, my views on the value of social media changed sharply.




  • Oh, I’m not arguing about placeholder names. This whole issue is placeholder names escaping into the wild.

    To me personally though, “2024” felt like the last gasp of Hasbro trying to sell an infinitely-rolling, “DnD-as-a-service” dynamic. Fans broadly understand editions and expect them to come with a serious scope of updates, but “annuals” could be deliberately confusing and ephemeral. The hope was they’d seem “new and shiny” enough to still prompt fans to buy them.

    Or maybe that’s just over-conspiratorial thinking. I dunno.



  • Yeah, I 100% get where you’re coming from. (And I agree with you; the Ori seasons weren’t the strongest of SG-1. Babylon 5 had a similar problem where they wrapped up the entire show’s myth arc, only to be told there’d be a sudden fifth season. It showed.)

    I think for me a lot of it depends on whether they decide to “un-conclude” the existing story or branch it off in an entirely new direction. Like, looking to Stargate again, the Ori seasons struggled, but Atlantis was a great way to propagate the concept with a new cast, characters, and story.


  • I’m kind of ambiguous about the first point. I think you can expand on a tightly-written, concluded story… but not repeatedly. Furthermore, it requires you to - to some degree - shift the focus of the following stories. Continuing the meta-story is all and just fine, but the immediate story can’t be about the same theme/issue/encounter indefinitely.


  • It’s an episode almost or entirely composed of clips from previous episodes. Usually it has some sort of a framing device - for instance, in an adventure show, it might be the characters taking a ‘breather’ after a tough encounter and musing on how they got here. Or one character might confront another about a situation that’s been brewing, and the clip show is showing bits of that situation leading up to the confrontation.

    On an aside, reception to clip shows is an interesting shift. For a long time, one or two were an accepted part of a long-running series - either because it let you make an episode on the cheap using recycled footage, or because in the pre-internet-streaming-on-demand world, it let audiences catch up on what had been happening in episodes they might have missed or seen months ago.

    Nowadays, however, they’re almost universally viewed negatively, as their reason for existing is absent and they’re mostly taken as a sign of poor planning by the creators.